Tuesday, May 23, 2017

FILM REVIEW: "EXCALIBUR"—FURTHER RIGHT THAN FAR RIGHT by Dave Yorkshire



John Boorman's spectacular Arthurian epic Excalibur is one of those films everyone ought to have seen. It is one of those rarest of gems: a film that ennobles the spirit just by dint of having watched it. It is a Gesamtkunstwerk of the highest order that lifts one onto a higher plane, so that when one leaves the cinema, one has the barely controllable urge to do great deeds. And it is a film for the Right - not necessarily for the Alternative Right, but for the True Right, for the Right without compromise, for the Right that is elitist, for the Right that strives for the highest, for the Right that lies beyond the tainted, half-hearted measures of Fascism and National Socialism, yet which eschews despotism and embraces paternalism. 

There have been many reinterpretations of the legend in just about every medium possible. Famous filmic versions include Knights of the Round Table (1953),Camelot (1967), First Knight (1995) and King Arthur (2004), and there is an upcoming treatment of the legend called King Arthur: Legend of the Sword, a typical Guy Ritchie affair, where Sir Bedevere is played by a Negro. And these people have the audacity to talk about cultural appropriation! Next they will be trying to claim the pyramids..... Oh wait..... And I thought after the disaster that was Antoine Fuqua's King Arthur, it could not get any worse. It always does though.

The major difference between those latter two works and Excalibur is in style and interpretation. The latter two present a veritisimitable version lifted from Geoffrey of Monmouth's Historia Regum Britanniae, while Excalibur's source material is Thomas Malory's Le Mort d'Arthur with support from Alfred Lord Tennyson'sIdylls of the King.

The reason for this is the films by Fuqua and Ritchie are typical examples of Leftist propaganda, both tools for promoting the immigrant invasion, just as Monmouth'sHistoria was a tool to legitimate the Norman-Breton invasion. Boorman, like Malory and especially Tennyson, concentrates more on the mythic, and is therefore, in accordance with Julius Evola's assertions, Rightist. It also borrows themes from Richard Wagner's Ring Cycle, which in turn was inspired by the mythic texts Der Nibelungenlied and Volsungasaga. The use of Wagner's music is extremely apt, for Excalibur is a modern Gesamtkunswerk of the highest order.

Read More: http://alternative-right.blogspot.com/2017/05/film-review-excaliburfurther-right-than.html

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