Thursday, September 25, 2014
Y’all Can Kill That Mockingbird Now by Margot Metroland
One of these days Harper Lee is going to kick off and have great big posthumous laugh at our expense. Bwah-hah-hah! Because right there in her Last Notes and Testament, we will find an answer to that puzzlement that has troubled the publishing biz for a half-century or more.
Namely, why didn’t Harper Lee write any more novels after To Kill a Mockingbird?
And the main reason she didn’t, she will aver in words that are coarse and pithy, is that To Kill a Mockingbird was a phoney-baloney contrived piece of fluff. It wasn’t her novel anymore, not after her agent and editors got through tarting it up, to make it modern and popular and sellable. They mutilated her baby, and young Nelle Harper Lee didn’t have the heart to go through that again.
Popular and sellable it certainly was. It was on the bestseller list for about two years, and thanks to the sponsorship of Gregory Peck it became a guaranteed hit movie even before a screenplay was written.
And it was modern. By laying on themes of racial strife and civil rights, and deleting most references to Thirties pop culture, the publishers made the novel as up-to-date and relevant as the latest issue of Look magazine. The book contains some vague references to the New Deal, and a courtroom trial is said to be happening in 1935; officially we’re in the mid-30s for most of the action. But otherwise the setting might as well be the Deep South of the 1950s and even 60s.
It’s a very peculiar 1930s Alabama that the author conjures up. She doesn’t tell us about seeing Popeye or Shirley Temple or Clark Gable down at the picture show, or reading Beatrice Fairfax or Fontaine Fox in the Mobile Register. In fact, no news at all leaks in from the outside world via radio, cinema, magazines or newspapers. Not a word of Huey Long, the Dust Bowl, Dillinger, League of Nations, Abyssinia, Spain. We are told that our narrator, “Scout,” has been reading since infancy, but she doesn’t seem to read much, not even the Time magazine that her family supposedly gets. International events intrude exactly once, in a painful, smarmy passage in which Scout’s third-grade teacher lectures the class about—what do you suppose?—Hitler and the Jews! (Perhaps the teacher does read Time.)
The published novel is very different from Lee’s original typescript. That was a set of loosely linked stories about long summers and oddball neighbors in small-town Alabama. Many of these episodes and character studies are retained in the final product, and they are small, perfect jewels—Boo Radley, the mad recluse; Dill, the narcissistic “pocket Merlin”; Mrs. Dubose, the raging, morphine-addicted Civil War widow; Scout’s snobbish, self-centered cousins who live down on Finch’s Landing.
Read More at: http://www.counter-currents.com/2014/09/yall-can-kill-that-mockingbird-now/#more-49765